Weekly Song Challenge — Free, Change, and Catchy

C92CE795-E7CD-4F3A-B5CA-0483D21DBB31Beckie, from Beckie’s Mental Mess, tagged me to participate in Laura’s Weekly Song Challenge. Each week, Laura asks us to post music videos for our answers to her musical questions. So here we go.

1. Post a video of a song that is about breaking free.

2. Post a video of a song about changing.

3. Post a video of a song that makes you laugh and is a catchy tune.

Now, according to the rules, I’m supposed to tag two other bloggers. But this is so much fun that I’m going to open it up to everyone to have this much fun. Go for it.

Song Lyric Sunday — You Turn Me On

For this week’s Song Lyric Sunday, Jim Adams chose the theme “Record/Juke Box/DJ/Radio.” I believe you can never go wrong with Joni Mitchell, which is why I chose her song, “You Turn Me On, I’m A Radio.”

Written and recorded in 1972 by singer and songwriter Joni Mitchell, “You Turn Me On, I’m A Radio” was released on her fifth studio album, For the Roses. It was also released as single, where it was her first top-forty hit in the United States, reaching number 25 on the Billboard Hot 100.

Joni’s record label was putting pressure on her to release a hit song, as very few of her singles hit the charts. So this song was her effort to get a popular hit. It lacks a chorus or any repetitive hooks, but because it is specifically about disc jockeys and radio stations, it got lots of airplay.

“I decided there were some ways to make a hit, increase the chances,” Mitchell said. “DJs have to like it, so you put a long part at the beginning and the end so the DJs can talk over it. Take a tender situation and translate it into commonly appealing songs for the DJs. It’d have to be a bit corny, so I wrote this little song called ‘Oh Honey, You Turn Me On, I’m A Radio.’”

The song is sung from the perspective of a radio, explaining all the ways it can please listeners. The station is always there to serve, and while it might not always have a clear signal, it knows what you want to hear.

Here are the lyrics to the song.

If you’re driving into town
With a dark cloud above you
Dial in the number
Who’s bound to love you

Oh honey you turn me on
I’m a radio
I’m a country station
I’m a little bit corny
I’m a wildwood flower
Waving for you
Broadcasting tower
Waving for you

And I’m sending you out
This signal here
I hope you can pick it up
Loud and clear
I know you don’t like weak women
You get bored so quick
And you don’t like strong women
‘Cause they’re hip to your tricks

It’s been dirty for dirty
Down the line
But you know
I come when you whistle
When you’re loving and kind

But if you’ve got too many doubts
If there’s no good reception for me
Then tune me out, ’cause honey
Who needs the static
It hurts the head
And you wind up cracking
And the day goes dismal

From “Breakfast Barney”
To the sign-off prayer
What a sorry face you get to wear
I’m going to tell you again now
If you’re still listening there

If you’re driving into town
With a dark cloud above you
Dial in the number
Who’s bound to love you

If you’re lying on the beach
With the transistor going
Kick off the sandflies honey
The love’s still flowing
If your head says forget it
But your heart’s still smoking
Call me at the station
The lines are open

JusJoJan — The City of Lights

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Linda G. Hill gave us our prompt for today’s Just Jot It January post. The word is “Paris” and it was suggested by Kelli at Forty and Fanastique.

I was going to write a brief tale about a man and a woman who meet and discover love in the most romantic city in the world, the City of Lights, Gay Paree.

But, alas, this is what popped into my head and it has left no room in there for any other response to the word “Paris.”

Day 28 — I Love Her Voice

For today’s 30-Day Song Challenge we are asked for “a song by an artist whose voice you love.”

Her voice is unique and because of that, she’s not everyone’s cup of tea. Personally, I don’t particularly like tea, but I do love her voice. So who am I talking about? None other than Joni Mitchell.

Even though it’s easy for me to pick the artist for this prompt, it’s close to impossible for me to pick only one song to illustrate her enchanting, stylistic singing voice. So I essentially turned the wheel of fortune and this is where it landed.

Song Lyric Sunday — A Case of You

Helen Vahdati’s theme for this week’s Song Lyric Sunday prompt is “drink.” There are tons of songs about drinking, drinkers, and drunks. But the song I came up with is one I would describe as being a little out of the way. Unless you happen to be a Joni Mitchell fan, like I am. If so, then you know her song, “A Case of You,” from her 1971 album Blue.

“A Case of You” is a melancholy song about a failed relationship and the hurt that remains afterwards. Mitchell supposedly wrote this song after her breakup with Graham Nash, although some claim that it’s about Leonard Cohen. In either case, it’s the quintessential after-the-fact love song. She understands that you have to feel love deeply enough to mourn its passing.

Here are the song’s lyrics.

Just before our love got lost you said,
“I am as constant as a northern star.”
And I said, “Constantly in the darkness.
Where’s that at? If you want me I’ll be in the bar.”

On the back of a cartoon coaster
In the blue TV screen light
I drew a map of Canada, oh Canada
With your face sketched on it twice

Oh, you are in my blood like holy wine
You taste so bitter and you taste so sweet
Oh, I could drink a case of you, darling
And I’d still be on my feet
I’d still be on my feet

Oh, I am a lonely painter
I live in a box of paints
I’m frightened by the devil
And I’m drawn to those ones that ain’t afraid
I remember that time you told me
“Love is touching souls”
Well surely you touched mine
‘Cause part of you pours out of me
In these lines from time to time

Oh, you’re in my blood like holy wine
You taste so bitter and so sweet
Oh I could drink a case of you
I could drink a case of you, darling
And I’d still be on my feet
I’d still be on my feet

I met a woman
She had a mouth like yours
She knew your life
She knew your devils and your deeds
And she said, “Go to him, stay with him if you can
But be prepared to bleed”

Oh, you are in my blood like holy wine
You taste so bitter and you taste so sweet
Oh, I could drink a case of you, darling
And I’d still be on my feet
I’d still be on my feet.